Never before has there been so much media interest focussed on a climb.Well, that’s not true of course. British media interest in climbing has ebbed and flowed over the decades. Huge interest greeted the bemused 'conquerors' of Everest. They were even decorated by the Queen. Two decades later Himalayan expeditions received a large amount of publicity. Characters like Dougal Haston became ‘Stars’ in the perception of the wider public. Sir Chris Bonnington even became a household name and remains so to this day.
Paul Diffley filming from a vantage point opposite To Hell and Back. photo, copyright, Steven Gordon
Even the less 'accessible' discipline of Rock Climbing has received plenty of media attention over the years. 40 years ago the BBC pioneered a live broadcast on the Old Man of Hoy, Orkney, a quite remarkable broadcasting achievement for the time, and an event that received huge audiences back in those days of few TV channels.
Helicopeter passing Hell's Lum. Photo copyright Dave MacLeod
During the last decade and a half there has been a number of very high quality climbing programs on BBC TV. Series such as The Edge, The Climbers and The Face, programs that got right in there at showing what climbing was really like; not glamorising it, but making it understandable to both climbers and non-climbers alike.
Just now there seems suddenly to be a huge media interest once again. This month you can hardly fail to turn on your TV without seeing Tim Emmett taking some glamorous lady up a route (no innuendo intended), or
Diff 'leaving no trace' photo copyright Steven Gordon
And so, by way of a long lead in, the public were about to see a truly pioneering Live Broadcast of The Great Climb; four pairs of climbers on routes in the Cairngorms, major 9 pitch routes on The Shelter Stone, and then the ‘Finale’,
As most of you will be aware, the dreadful weather this summer eventually scuppered those plans. For the 60+ TV crew (which included the Hot Aches cameramen) this was immensely disappointing. An unparalleled logistical exercise had been carried out. 2.5km of ropes had been rigged on the routes. 2km of delicate fibre optical cable had also been rigged from the Base Station to the top of the routes. State of the art High Def cameras had been sourced, the only 8 cameras in the whole of
6.30am helicopter call for the Hot Aches team. Photo copyright Steven Gordon
And then, the weather intervened. People might wonder, there must have been a contingency? And the answer is ‘yes’. Even if it was raining,
So the upshot was that the program had to be pulled, and the eager public got to see a re-run of Ghandi.
But that is not quite the end of the story. You see. Those of you that know a little bit about
Dave Brown getting into filming position adjacent to Hell and Back. Photo copyright Dave MacLeod
This time we were without the luxury of helicopters; back to our more usual practice of walking miles and carrying huge loads. We waited out the weather, to return to Hells Lum and record the end game.
Dave MacLeod leading the first pitch. Photo copyright Steven Gordon
As you may read elsewhere in the climbing media, Dave did indeed finally succeed on his project; a line quite appropriately named To Hell And Back. I haven’t yet read Dave’s account, but I will share some thoughts on that route:
Paul Diffley filking the first pitch from opposite. Photo copyright Dave MacLeod
Something had changed:
After the weekend washout we returned on Tuesday and despite great weather, 2 things were different. Firstly Dave was beginning to loose his edge. A full week of rest had taken him past his peak, stamina was rapidly reducing. That might sound odd, but for most top athletes, peak performance has a short duration, and waiting around doing nothing for several days is the wrong preparation. Secondly, some of the holds were now wet from seepage caused by the heavy rain on previous days.
Back the next day and conditions were still not ideal. This time it was warmer and there was no breeze. Dave’s hands were greasing up on the holds. The wet holds higher up were now less wet; the key hold was staying dry for one or two fingers, but the rest of the surface was gradually getting wet again after being dried off.
The tension at the crag was horrendous. Dave tied on ready to lead and called up to me for an evaluation of how wet the hold was? What a damn question to ask. Of course I want the film ‘in the can’, but MacLeod is a friend, and I don’t want him dead. So I looked at the hold. Probably only the bit for his pinky was wet by now, maybe in the time it takes for him to reach the hold it would be wet only for the second finger? What do I know? I couldn’t do that move even if it was bone dry. I gave him the thumbs up, and he set off.
Dave MacLeod leading the second pitch, Dave Brown filming. Photo copyright Claire MacLeod
Something was wrong.
As Dave left past the last point of possible retreat he let out a huge scream, a ‘power scream’ is the term. But Dave never does that. It was ominous. On through the technical crux section and he reached a hold where he could chill for a second. No option of retreat here, but a pause for thought. Then came a second scream. This is not
I turned the camera to the wet hold and it was really wet now. I returned it to Dave as he was placing the only high piece of protection. He had chosen to pause in the middle of a hard move to place a skyhook on a wobbly edge. He clipped the rope and moved on. As he passed the gear it wobbled off and slid down the rope. Now he moved towards my camera and stretched far out left to the wet hold. A thousand thoughts rushed through my head…
I kept rolling.
He made it too the next hold, of course, else you wouldn’t be reading this. Then onto easier ground where he paused as I jugged up to the belay in order to film him arriving at the end of the pitch. There was no elation from Dave, just a white face and a shaking head.
The conclusion.
The rest of the route was filmed. It will broadcast on BBC sometime before Christmas. I will be fascinating, but don’t expect to ‘enjoy’ it.
The end of the second pitch. Dave Brown and Mark Diggins filming. Photo copyright Claire MacLeod
Some other thoughts.
Filming this route confirmed that all the logistical plans for a live broadcast would have indeed created a remarkable and ground breaking TV program. The timings, changes in camera position, climbing time, all the plans that had been carefully worked out would have given a remarkable finale to the program.
You can of course read Dave MacLeods own harrowing account of the route on his blog. Our thanks go particularly to Claire MacLeod who puts up with a lot; climbers, TV crew and hanging out for many hours in a damp gully high in the Cairngorms - on her birthday, no less. Thanks Claire.
